Jerk Off invites three queer artists, friends of the Festival, to come and question their masculinity(ies) for a round table at the town hall of the 10th arrondissement. The opportunity to explore the intimate and political narratives of what covers the terms “man” and “queer” with regard to a patriarchal society which continues to advocate hegemonic masculinity and the difference between the sexes.

Around the table: Frank Lamy, in charge of temporary exhibitions at Mac Val; Lorenz Jack Chaillat-Cavaillé, dancer from the Suzanne collective; Viktor Marzouk, co-creator of the “KING VITAM AETERNAM” collective. Moderated by: Noëlla Bugni-Dubois from the Instagram account Our allies men.

Jerk Off invite trois artistes queer ami.e.s du Festival, à venir questionner leur (les) masculinité(s) pour une table-ronde à la mairie du 10ème arrondissement. L’occasion d’explorer les récits intimes et politiques de ce recouvrent les termes “homme” et “queer” au regard d’une société patriarcale qui ne cesse de prôner la masculinité hégémonique et la différence entre les sexes.

Autour de la table : Frank Lamy, chargé des expositions temporaires du Mac Val ; Lorenz Jack Chaillat-Cavaillé, danseur du collectif Suzanne ; Viktor Marzouk, co-créateur du collectif « KING VITAM AETERNAM ».  A la modération : Noëlla Bugni-Dubois du compte Instagram Nos alliés les hommes.


Frank Lamy

Lorenz Jack Chaillat-Cavaillé

Victor Marzouk

Noëlla Bugni-Dubois

SUZANNE

Paris

JERK OFF Festival

Queer Masculinities - Thinking Masculinities Between Intimate and Political

Masculinités queer - Penser les masculinités entre intime et politique

A behind-the-scenes documentary on the creation of the choreographic piece TO DA BONE by the collective (LA)HORDE. From Charleroi to Montreal, from the first moments on stage to the premiere at FTA - Festival TransAmériques. When 11 dancers bring jumpstyle dance to life on stage.

PERFORMANCE TO DA BONE

Design and staging: (LA) HORDE - Marine Brutti, Jonathan Debrouwer, Arthur Harel
Sound composition: Aamourocean Light design: Patrick Riou General Manager and Assistant Light: Claire Dereeper Costumes: Lily Sato Outside look: Jean Christophe Lanquetin Direction rehearsal et soundmanager : Céline Signoret Administration, line production : Clémence Sormani

CAST: Valentin Basset aka Bassardo, Magali Casters, Jordan Decorte aka Adrenal2ine , Mathieu Douay aka Magii'x, Camille Dubé Bouchard aka Dubz, Lorenzo Fontanot aka Lyzer , László Holoda aka Leslee, Thomas Hongre aka ToPa, Pawel Nowicki aka Pafcio, Kevin Martinelli aka MrCovin, Bartlomej Paruszewski aka Bartox Viktor Pershko aka Belir, Nick Reisinger aka Neon , Edgar Scassa aka Edx, Andrii Shkapoid aka Shkap, Radek Sobierajski aka Radnaro, Damian Kamil Szczegielniak aka Leito, Michal Adam Zybura aka Zyto.


Un documentaire sur les coulisses de la création de la pièce chorégraphique TO DA BONE du collectif (LA)HORDE. De Charleroi à Montréal, des premiers moments sur scène jusqu'à la première au FTA - Festival TransAmériques. Quand 11 danseur·ses font revivre la danse jumpstyle sur scène.

SPECTACLE TO DA BONE

Conception, mise en scène : (LA)HORDE - Marine Brutti, Jonathan Debrouwer, Arthur Harel Musique originale : Aamourocean Lumières : Patrick Riou Régie générale et assistante lumière : Claire Dereeper Costumes : Lily Sato Regard extérieur : Jean Christophe Lanquetin Répétitrice et régie son : Céline Signoret Chargée de production et diffusion : Clémence Sormani

DISTRIBUTION: Valentin Basset aka Bassardo, Magali Casters, Jordan Decorte aka Adrenal2ine , Mathieu Douay aka Magii'x, Camille Dubé Bouchard aka Dubz, Lorenzo Fontanot aka Lyzer , László Holoda aka Leslee, Thomas Hongre aka ToPa, Pawel Nowicki aka Pafcio, Kevin Martinelli aka MrCovin, Bartlomej Paruszewski aka Bartox Viktor Pershko aka Belir, Nick Reisinger aka Neon , Edgar Scassa aka Edx, Andrii Shkapoid aka Shkap, Radek Sobierajski aka Radnaro, Damian Kamil Szczegielniak aka Leito, Michal Adam Zybura aka Zyto.


(LA)HORDE

Marseille

To Da Bone

We make noise but we no longer listen to each other anymore, for you I whine, for me you scold, most of the time we scornfully look at each other, each of us in the comfort of our own world. So we mask ourselves as we miss ourselves, to better hide the gap between us. Today I take the pen and write. Photos © Avant l'Orage 

On fait du bruit mais on ne s’entend plus, pour toi je piaille, pour moi tu grondes, la plupart du temps on se toise chacun dans notre monde. Alors on se masque comme on se manque, pour mieux cacher le fossé qui nous sépare. Aujourd'hui je prends la plume et je t’écris ce plaidoyer. Photos © Avant l'Orage

Avant l'Orage

International Short Film Competition of the DAN.CIN.FEST 2022 

Dan.Cin.Lab

Génération

The film deals with touching in the junior competition. High-level sport gives a young athlete real strength of character, but on the other hand, sometimes confronts him or her with facts that are devastating for his or her development as a young adult. Today, the numerous revelations by sportswomen are loosening tongues. A fault in a microcosm, a fact that is unfortunately all too common, it seems to me a necessity today to tackle it through this short film, Triple Boucle. Photos © Marie-Laure Blancho

Le film aborde les attouchements au sein de la compétition junior. Le sport de haut niveau donne une véritable force de caractère à un jeune sportif mais en contrepartie, le confronte quelques fois à des faits dévastateurs pour sa construction de jeune adulte. Aujourd’hui, les nombreuses révélations de sportives délient les langues. Faille d’un microcosme, fait malheureusement trop courant, il me paraît aujourd’hui une nécessité de l’aborder par ce court-métrage, Triple boucle. Photos © Marie-Laure Blancho

Maëlla Mickaëlle

Triple Boucle

The Night Manifesto is a 4-part experimental short film exploring the intimate significance of partying. It draws the portrait of a community, who wonders on Monday what they’ll do on Friday. It’s a celebration of rave culture and nightlife – it’s an ode to all those whose only mean of survival is to dance through the night, their eyes closed in the ecstasy that techno music provides. 

Le Manifeste de la Nuit est un court métrage expérimental qui essaie de démêler les raisons intimes de pourquoi on fait la fête. Il dresse le portrait d’une communauté dont la préoccupation du lundi matin est de savoir où elle sera le vendredi soir. C’est un film qui célèbre le monde de la nuit et la liberté inhérente à la culture rave. Un film pour tous ceux qui ne savent vivre qu’une fois la nuit tombée, les yeux fermés emportés par le rythme de la techno.  

Arthur Lacomblez

The Night Manifesto

Can we share a dance remotely? This first "choreographonic" chain tends to create a dimension parallel to the 2020 lockdown, which enables imaginated physical contacts. Every single video has been shot individually. Consequently of a first improvised dance, each dance answers the previous one, until turning itself to the next one's reference, and so on and so forth. "Right next to me" has been nominated "Pépite Jeune Création" at the International Festival of Animated Dance in 2020. Photos © Céleste Vidal Ayrinhac‌

Peut-on partager une danse à distance?
Cette première chaîne "chorégraphonique" cherche à créer une dimension parallèle au
confinement de 2020, où les contacts physiques imaginés deviennent possibles.
Chaque vidéo a été captée individuellement.
Partant d'une première danse improvisée, chaque danse répond à la précédente, avant d'être
elle-même la référence de la suivante, et ainsi de suite.
“Tout à côté de moi" a été nommé Pépite Jeune Création au Festival International de Danse
Animée en 2020. Photos © Céleste Vidal Ayrinhac‌

Céleste Vidal—Ayrinhac

Tout à côté de moi

A crossing in the Parisian night with a sister and her autistic brother. A stealthy complicity. A slip of vision. She invites him into her world ... he invites her into his own universe.


Une traversée dans la nuit parisienne avec une soeur et son frère autiste asperger. Une complicité à la dérobée. Un glissement de vision. Elle l'invite dans son monde... il l'invite dans son univers.

Chloé Belloc

Là où il est

Alone in a mirror factory, a man paints strange patterns on his body. Questioning his reflections, he loses touch with reality. So the evil that consumes him talks through his body which begins to move, dance, contort. Slowly he's falling apart, teetering between madness and lucidity.

Seul dans une fabrique de miroirs, un homme peint d'étranges motifs sur son corps. Interrogeant ses réflexions, il perd le contact avec la réalité. Alors le mal qui le consume parle à travers son corps qui se met à bouger, danser, se contorsionner. Lentement, il s'effondre, oscillant entre folie et lucidité.

Rémi Parisse                   

Saint-Etienne

Cameras of January

Les Caméras de Janvier

Mirrors

This event is by invitations only | Today, cultural exchanges and mobility have suffered a severe halt due to the global pandemic caused by Covid-19. Showing great adaptability, the cultural sector has transferred online many activities initially scheduled face-to-face: multiple meetings, conferences, events, artistic presentations, exhibitions and performances have taken place all over the world despite the distance. physical.

Thus, the imposed physical immobility has densified the flow of digital exchanges in real time, and has profoundly transformed the issues and practices of the international mobility of artists and professionals in the sector.


Événement sur invitation uniquement | Aujourd’hui, les échanges et la mobilité culturels ont subi un violent coup d’arrêt du fait de la pandémie mondiale due à la Covid-19. Faisant preuve d’une grande adaptabilité, le secteur culturel a transféré en ligne de nombreuses activités initialement programmées en présentiel : de multiples réunions, conférences, événements, présentations artistiques, expositions et performances ont ainsi pu avoir lieu aux quatre coins du globe malgré la distance physique. 

Ainsi, l’immobilité physique imposée est venue densifier les flux d’échanges numériques en temps réel, et a profondément transformé les enjeux et les pratiques de la mobilité internationale des artistes et des professionnels du secteur



Roberto Cimetta Funds

Mobility(ies), what next?

Mobilité(s), et après?

Contemporary interpretation of the Dance Macabre from the Middle Ages: In a monotonous residential area, the camera glides past men and women who are standing in front of their house in silence. To the threatening sounds of an ever more intrusive soundtrack, they fall to the ground, randomly and irrevocably. **Video will be available from 2pm - 11.30pm CET**

Interprétation contemporaine de la danse macabre du Moyen Âge: Dans un quartier résidentiel monotone, la caméra glisse devant des hommes et des femmes qui se tiennent devant leur maison en silence. Aux sons menaçants d'une bande-son toujours plus intrusive, ils tombent au sol, au hasard et irrévocablement. ** La vidéo sera disponible de 14h à 23h30 CET **

Ludivine Large-Bessette

Cameras of December 

Les Caméras de décembre

Cinedans

Drop Out Bodies

I was not Beirut on the day of the explosion, but I think the shock wave reached me. For days and days my stomach turned upside down. It's not just because this explosion hit my city and my country. It's also because the neighborhoods that have been affected are the neighborhoods of my childhood and adolescence, the neighborhoods where my closest Lebanese friends live and where I know every nook and cranny. I decided to visit them, get some news, walk the streets and measure the geographical and human modifications that this explosion induces.

Je n'étais pas Beyrouth le jour de l'explosion, mais je pense que l'onde de choc est arrivée jusqu'à moi. Pendant des jours et des jours j'avais l'estomac retourné. Ce n'est pas seulement parce que cette explosion a touché ma ville et mon pays. C'est aussi parce que les quartiers qui ont été touchés sont les quartiers de mon enfance et de mon adolescence, les quartiers où mes amis libanais les plus proches habitent et dont je connais les moindres recoins. J'ai décidé de leur rendre visite, de prendre des nouvelles, d'arpenter les rues et mesurer les modifications géographiques et humaines que cette explosion induit.

Michel Tabet

BIPOD 2020

Maqamat

Habiter Beyrouth

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