Roger Bernat

Roger Bernat creates devices in which the audience shapes the performance. His projects have been performed in more than 30 countries. His best known projects are Domini Públic (Teatre LLiure, Barcelona, 2008), The Rite of Spring (Teatro Milagro, México, 2010), Please, Continue (Hamlet) (with Yan Duyvendak at Théâtre du Grütli, Genève, 2011), Pendiente de voto (Centro Dramático Nacional, Madrid, 2012), Desplazamiento del Palacio de La Moneda (STML, Santiago de Chile, 2014), Numax-Fagor-plus (KunstenFestivalDesArts, Bruxelles, 2014), We need to talk(Temporada Alta, Girona, 2015), No se registran conversaciones de interés (MUCEM, Marseille, 2016-17), The place of the Thing(Documenta 14, Athens-Kassel, 2017), ENA (with Mar&Varvara at Teatre Lliure, Barcelona 2020) or Pim pam (34 Biennal Sao Paulo, 2021). In 2009 he published with Ignasi Duarte, Querido Público, El espectador ante la participación: jugadores, usuarios, prosumers y fans. Ed. Cendeac. He has also written articles for Joined Forces, audience participation in theatre (Alexander Verlag, Berlin, 2017) and Teatro relacional (Ed. Fundamentos, Madrid, 2017), among others.